Desk Therapy: 5 Calm & Minimalist Stationery Picks
Calm your space with five minimalist stationery picks from The Journal Shop. Simple, tactile tools for clearer thinking, gentler writing, and a slower kind of productivity.
NEW ADDITION: "PACK C"
THE BIRDS AND TREES OF NORTH AMERICA EDITION
Our 64th Quarterly Limited Edition for fall, 2024 is “The Birds and Trees of North America” Edition, featuring the artwork of Rex Brasher (1869–1960).
Rex Brasher’s artistic talent, love of nature, technical expertise, and persistence offers an inspiring story that should be better known by anyone with an interest in birds, nature, or art. From a young age, Brasher committed to visiting all of America’s bird species in their natural habitats. He spent a lifetime traveling, collecting notes and drawings, writing personal, insightful descriptions, and painting and re-painting birds.
By the late 1920s, Brasher — nearly 60 years old — was finally satisfied with his paintings, and set out to publish a collection of his work. Unhappy with color printing options at the time, Brasher had the paintings reproduced in black-and white, then hand-colored all 87,000 pages of the nearly 100 sets of twelve volumes of The Birds and Trees of North America, which he completed in 1932.
We’ve carefully reproduced six of Brasher's colorful illustrations on two 3-Packs of Field Notes Ruled Memo Books. Covers are a lovely felt-textured 100#C Mohawk Via “Pure White,” bound by three stainless steel staples. The bodies are 60#T Domtar Lynx Opaque Ultra, ruled with pale gray lines.
“Pack A” features:
Rocky Mountain and Mexican Screech Owls
(1915, Volume 6, Plate 373e 373f)
Blue Jay
(1911, Volume 8, Plate 477)
Brewer Sparrow
(1912, Volume 9, Plate 562)
“Pack B” features:
Pine Grosbeak
(1911, Volume 9, Plate 515)
Baltimore Oriole
(1912, Volume 8, Plate 507)
Sulphurbelly Flycatcher
(1911, Volume 7, Plate 451)
“Pack C” features:
Painted Redstart (Birchleaf Mountain Mahogany)
1912, Volume 11, Plate 688
Cardinal
1912, Volume 8, Plate 507
Redshoulder Hawk
1912, Volume 10, Plate 593
Sales of this edition will help the Rex Brasher Association open Brasher’s Kent, Connecticut property to the public as a museum and nature area dedicated to the artist’s life and work.
Images courtesy of Rex Brasher Association, Inc. ©2024, rexbrasher.org
Proudly printed by the good people of Classic Color, Broadview, Ill.
Cover: Mohawk Via Felt 100#C “Pure White,” with a 4-color application of process-color soy-based inks.
Innards: Domtar Lynx Opaque Ultra 60#T “White.”
Cover and innards printed on a Komori Lithrone G40" 6-color UV printing press.
Bound by a Muller Martini Presto II saddle stitcher with appreciation to Samuel Slocum, George W. McGill, and William J. Brown, the “Founding Fathers of the Staple.”
Corners precisely rounded to a 3/8" (9.5mm) radius with a Challenge round-corner machine.
Ruled lines: 1/4" (6.4mm).
Memo book dimensions are 3-1/2" × 5-1/2" (89mm × 140mm).
FIELD NOTES uses only the Futura typeface family (Paul Renner, 1927) in its materials.
All FIELD NOTES memo books are printed and manufactured in the U.S.A.
Limited Edition of 18,000 Pack A and 18,000 Pack B.
Pack A UPC: 850032279314, Pack B UPC: 850032279321
NEW ADDITION: "PACK C"
THE BIRDS AND TREES OF NORTH AMERICA EDITION
Our 64th Quarterly Limited Edition for fall, 2024 is “The Birds and Trees of North America” Edition, featuring the artwork of Rex Brasher (1869–1960).
Rex Brasher’s artistic talent, love of nature, technical expertise, and persistence offers an inspiring story that should be better known by anyone with an interest in birds, nature, or art. From a young age, Brasher committed to visiting all of America’s bird species in their natural habitats. He spent a lifetime traveling, collecting notes and drawings, writing personal, insightful descriptions, and painting and re-painting birds.
By the late 1920s, Brasher — nearly 60 years old — was finally satisfied with his paintings, and set out to publish a collection of his work. Unhappy with color printing options at the time, Brasher had the paintings reproduced in black-and white, then hand-colored all 87,000 pages of the nearly 100 sets of twelve volumes of The Birds and Trees of North America, which he completed in 1932.
We’ve carefully reproduced six of Brasher's colorful illustrations on two 3-Packs of Field Notes Ruled Memo Books. Covers are a lovely felt-textured 100#C Mohawk Via “Pure White,” bound by three stainless steel staples. The bodies are 60#T Domtar Lynx Opaque Ultra, ruled with pale gray lines.
“Pack A” features:
Rocky Mountain and Mexican Screech Owls
(1915, Volume 6, Plate 373e 373f)
Blue Jay
(1911, Volume 8, Plate 477)
Brewer Sparrow
(1912, Volume 9, Plate 562)
“Pack B” features:
Pine Grosbeak
(1911, Volume 9, Plate 515)
Baltimore Oriole
(1912, Volume 8, Plate 507)
Sulphurbelly Flycatcher
(1911, Volume 7, Plate 451)
“Pack C” features:
Painted Redstart (Birchleaf Mountain Mahogany)
1912, Volume 11, Plate 688
Cardinal
1912, Volume 8, Plate 507
Redshoulder Hawk
1912, Volume 10, Plate 593
Sales of this edition will help the Rex Brasher Association open Brasher’s Kent, Connecticut property to the public as a museum and nature area dedicated to the artist’s life and work.
Images courtesy of Rex Brasher Association, Inc. ©2024, rexbrasher.org
Proudly printed by the good people of Classic Color, Broadview, Ill.
Cover: Mohawk Via Felt 100#C “Pure White,” with a 4-color application of process-color soy-based inks.
Innards: Domtar Lynx Opaque Ultra 60#T “White.”
Cover and innards printed on a Komori Lithrone G40" 6-color UV printing press.
Bound by a Muller Martini Presto II saddle stitcher with appreciation to Samuel Slocum, George W. McGill, and William J. Brown, the “Founding Fathers of the Staple.”
Corners precisely rounded to a 3/8" (9.5mm) radius with a Challenge round-corner machine.
Ruled lines: 1/4" (6.4mm).
Memo book dimensions are 3-1/2" × 5-1/2" (89mm × 140mm).
FIELD NOTES uses only the Futura typeface family (Paul Renner, 1927) in its materials.
All FIELD NOTES memo books are printed and manufactured in the U.S.A.
Limited Edition of 18,000 Pack A and 18,000 Pack B.
Pack A UPC: 850032279314, Pack B UPC: 850032279321
Orders £35+ | UK Royal Mail delivery within 5 days, Monday to Friday. Free on orders over £35. | FREE |
Tracked Delivery 48 |
Royal Mail 48, tracked. Delivery within 48 hours, Monday to Friday. Tracking number provided. |
£3.50 |
Tracked Delivery 24 |
Royal Mail 24, tracked. Delivery within 24 hours, Monday to Friday. Tracking number provided. |
£4.99 |
Next Day Delivery | Delivery on the following working day on orders purchased before 12:00pm, 5 days a week. You'll receive a tracking number with updates about the progress of your order. Signature required. |
£7.99 |
International Delivery |
Shipping costs are calculated automatically at the checkout when both the destination and delivery service are selected. |
From £8.00 |
Customs & Import Charges | In some cases, customs and import duties may be charged as your parcel reaches its destination country. The Journal Shop has no control over these charges and we can't tell you what the cost would be, as they will vary from country to country. Any charges on a parcel must be paid by the person receiving the parcel. |
Calm your space with five minimalist stationery picks from The Journal Shop. Simple, tactile tools for clearer thinking, gentler writing, and a slower kind of productivity.
Spring is the perfect excuse to give your workspace a gentle refresh. Whether you're tidying your desk, updating your planner, or simply want something new and lovely to write with, here are five of our favourite seasonal picks – each from a different brand we love at The Journal Shop.
If stationery's your thing, then you'll feel right at home with us. We love good stationery (and a good stationery shop!), great design and the joy of owning things that make us happy. We go to great lengths to bring you the brands we know you love and we've been happily doing this since the very beginning of our journey. We believe in good things, always.